William Grant "Bill" Moggridge RDI (June 25, 1943 – September 8, 2012) was a British-born designer, author, and educator who cofounded the design company IDEO and was director of the Cooper-Hewitt, National Design Museum in New York. He was a pioneer in adopting a human-centered approach in design, and championed interaction design as a mainstream design discipline (he is given credit for coining the term). Among his achievements, he designed the first laptop computer, the GRiD Compass, was honored for Lifetime Achievement from the National Design Awards and given the Prince Philip Designers Prize.
We have taken the clamshell design of the standard laptop computer for granted for a very long time, and it seems obvious now, but someone invented and patented it. That person was British designer William Grant "Bill" Moggridge, co-founder of the IDEO design firm, who has died of cancer aged 69.
Early portable computers, such as Adam Osborne's famous Osborne 1 (1981), were luggables more like portable sewing machines. One of the driving forces for that design was the need to include a small monitor based on a cathode ray tube (CRT) and 5.25-inch floppy disk drives.
NASA took the GRiD laptop on the Space Shuttle
Moggridge, however, designed the GRiD Compass laptop (1982) around an early flat screen produced by Sharp. This was a yellow-on-black electroluminescent panel that could display 80 characters of text and 320 x 240 pixel graphics."The screen was gorgeous: it was like a jewel," according to GRiD's founder John Ellenby , the ex-Xerox PARC man behind the Compass. It was indeed amazing.
The GRiD Compass 1101 was innovative in its use of storage, too. It didn't include a floppy drive — something that IBM's Think Pad 240 also dispensed with in 1999 — or a CD drive, because the CD hadn't even been invented. Instead, it included 384K of non-volatile electronic "bubble memory" developed at Bell Labs. It seemed a promising idea at the time, but rotating hard drives rapidly took over. The GRiD Compass was a powerful machine for its day, with an Intel 8086 processor running GRiD OS in 256K of memory. Perhaps even more important, it looked wonderful in its solid black, die-cast magnesium-alloy case. Today's users might find it a bit heavy at 4.9kg (10.75lbs), but it was less than half the weight of an Osborne 1 at 10.7kg (23.5lb), and incomparably smarter.
We borrowed one in for review when I was editor of Practical Computing magazine, and it inspired a fervid technolust around the office. Of course, none of us could afford the £5,195/$8,150 price, but the machine clearly had a future in military and industrial applications. It was just the thing if you worked on a nuclear submarine, and taking one on Space Shuttle missions was another obvious idea. If you're spending that sort of money, the GRiD's price is trivial, and the rest of could just wait for cheaper versions. (A decade laer, we got the IBM ThinkPad 750C .)
The GRiD Compass made Moggridge briefly famous to a generation of geeks, but he spent his life outside computing. He said his career had three phases: first as a designer, then as a manager of design, and then as a communicator. In the final phase he was a writer, graphic designer and video-maker. He wrote two books published by MIT Press: Designing Interactions, published in October 2006, and Designing Media, published in November 2010.
Bill Moggridge by Mayo Nissen Source: Wikipedia
Moggridge was a graduate of the Central School of Design in London. At various times, he served as a Visiting Professor in Interaction Design at the Royal College of Art in London, Lecturer in Design at the London Business School, member of the Steering Committee for the Interaction Design Institute in Ivrea, Italy, and Consulting Associate Professor in the Joint Program in Design at Stanford University. Most recently, in 2010, he was appointed director of the Smithsonian's Cooper-Hewitt National Design Museum on 5th Avenue in New York.